In the Garden: Call for Entries

Clay Paper Scissors Gallery & Studio will have a garden themed show for April and May. This could be artwork made for use in or for decorating the garden, or work featuring gardens of all kinds. It can be realistic or abstract. We would like to emphasize items made for use in the garden or with plants, but are open to ideas. Surprise us!

If you would like to be considered for inclusion in this show, please send a few images or a website link that gives a sense of your work on the theme along with your name and phone number to by March 23 or sooner. Selected work would need to be delivered by April 5.

Clay Paper Scissors retains a 30% commission on all work sold during exhibits. Payment is made at the end of the show.

Openings for the show will be April 14 and May 12 from 5-8 PM. Artists are encouraged to attend if possible. The show comes down at the end of May, and any unsold work, along with payment for sold work, will be returned at that time.

Thank you, and we look forward to seeing your work.


Worth a Thousand Words: Laramie Photographers

dreise boats beara peninsula Ireland

Boats on the Beara Peninsula, Ireland by Ken Driese

Laramie has a wonderful group of photographers! Eight are participating in Worth a Thousand Words: Laramie Photographers in February and March 2018. There’s a delightful variety of subject matter from landscapes near and far–Ken Driese contributed images from his travels, while Susan Davis, Allison Pluda and Doc Thissen concentrated on local landscapes. Susan Davis included two images from the eclipse last August. Allison makes images of the Snowy Range and the Milky Way. Doc Thissen has been doing a long-exposure project with the Lincoln Highway, including an image of the Plains here in Cheyenne.


Proprietor’s House at Como Bluffs by Doc Thissen

Susan Moldenhauer concentrates on the sky, with titles that refer to the events of the day the photo was taken. Dan Hayward creates composite panoramic images of the landscape.

Sherline Cement Kiln (1 of 1)

Cement Kiln by Edward Sherline

Edward Sherline creates compositions of industrial areas which he calls Thingscapes. RoseMarie London enjoys the action and drama of the rodeo

Complimenting the photographers is Carol McDonald’s mid-century modern ceramic houses. Streamlined and precise, these houses charm in their strict perfection.



Hauntings & Landscapes of the West

Straddling the Rain, 16.5 x 26.5, oil on canvas, 2017

image above: Straddling the Rain Sheets by Luke Anderson, oil on canvas, 16.5″ x 26.5″ 2017

The west is a landscape that haunts artists. Luke Anderson, an emerging artist and Cheyenne native, acknowledges the debt his work owes to artists that have come before. At the same time, his work is a fresh take–stylized representational, with elements of abstraction, surrealism and more. Many are landscapes which he grew up seeing around him reinterpreted. Others are new places. All offer more to the viewer who stays beyond the curious glance: humor, commentary, new angles. He works primarily in oil, partially as a tribute to artists who have come before him.

Hauntings and Landscapes of the West is on display from September 14 through October 28, 2017. See more of Luke Anderson’s paintings and drawings online.


Beatles Cartoon Art Show: Ron Campbell


Ron Campbell, animator for numerous beloved cartoon shows, is coming to Clay Paper Scissors! The Beatles Art Cartoon Show is here for a short time only: July 14-16. During that time, we will have original art on display created by Ron Campbell, and Ron will be here talking to people and signing his work! Don’t miss this special opportunity to see and purchase original artwork by the animator of the Yellow Submarine, Jetsons, Flintstones, Scooby Doo, Pac Man, the Smurfs and many more!

We will be open with this special pop-up during the following times:

Friday July 14, 3-8 PM

Saturday July 15, 12-6 PM

Sunday July 16, 12-4 PM


Ron Campbell’s Bio follows:

Born in 1939 in Seymore, a small town in the Australian state of Victoria, educated at Swinburne Art Institute in Melbourne, Ron Campbell was a force in animation for five decades.

Campbell began his animation career in the late fifties, soon working on Beetle Bailey, Krazy Kat, and Cool McCool, directing the spectacularly successful TV cartoon series The Beatles. The show debuted on 25 September 1965, and remained number one in the ratings for the duration of its four-year run. He later wrote the forward to the book Beatletoons: The Real Story Behind The Cartoon Beatles, where his involvement in the show is also talked about extensively.

He then moved to the United States and Hanna-Barbera, going on to write and produce cartoons for Sesame Street and animate on the original George of the Jungle and Tom Slick TV shows.  His Hollywood studio, Ron Campbell Films, Inc., produced and directed the animation for the Big Blue Marble, which won many awards including a Peabody for Excellence in Broadcasting and an Emmy for Best Children’s Show of the Year.

In the late 60’s Ron Campbell, working with his friend and colleague Duane Crowther (RIP), animated many scenes in the Beatles Yellow Submarine feature film, including the Sea of Time sequence, and much of the action between the Chief Blue Meanie and his boot-licking sidekick, Max.  He animated many scenes involving the multi-named Jeremy Hillary Boob PHD aka the Nowhere Man. In Yellow Submarine Producer Al Brodax’s 2004 memoir Up Periscope Yellow, chronicling the making of Yellow Submarine, Brodax accredits Campbell for essentially helping pull together various elements of the movie.

In the early 1980s, he storyboarded Hanna-Barbera’s hit series, The Smurfs, including the Emmy-award winning “Smurfolympics” special.  Also, during the 70’s and 80’s, Campbell was the line producer and story editor for the hit European children’s show ‘The Smoggies’ and produced, directed, animated, or storyboarded numerous other hit shows of the era, including the Flintstones, Jetsons, Captain Caveman, and Scooby Doo.  Ron was part of the original team the created the Scooby Doo series.

The 1990’s took Ron Campbell to Disney TV Animation where he contracted animation direction and storyboarded on Bonkers, Goof Troop, Darkwing Duck, and Winnie the Pooh.  His studio produced publicity films for Disney.  He also spent much of the decade storyboarding for the Rugrats, Rocket Power, and the bizarre adult cartoon, Duckman.  During that time, he was nominated for an Emmy for a storyboard for Aaahh! Real Monsters, and another for the Rugrats.

Since retiring after a 50 year career, he has been painting subjects always based on the animated cartoons he has helped bring to the screen.  With particular emphasis on The Beatles, he shows his Cartoon Pop Art in galleries internationally and across the USA.
Partial Animation History

The Beatles TV Cartoon Series
The Beatles Yellow Submarine
Popeye and Olive Show
Krazy Kat
Cool McCool
Sesame Street
Winkey Dink and You
George of the Jungle
Tom Slick
Super Chicken
Yogi Bear
Scooby Doo Where Are You?
Harlem Globetrotters
Nanny and the Professor
The Big Blue Marble
Captain Caveman
Paw Paws
Pac Man
The Smoggies
Stuart Little
Winnie the Pooh
Darkwing Duck
Goof Troop
Duck Tales
Rocket Power
Aaahh! Real Monsters!
Ed, Edd n Eddy


The Art of the Pop-Up

June Glasson, co-founder of the Wyoming Art Party, is offering a class at Laramie County Community College this June on pop-ups. Open to the public, this class culminates in a pop-up show at Clay Paper Scissors on June 3 with a reception from 5:30-7:30. Join us for this fun event! The work created by class members will be on display for just that short time. You can still participate! Register today. See below for information on registration.



Summer Classes!

We are once again offering summer classes. Although these are geared towards the needs of teachers looking for professional development in the arts, the classes are open to anyone. If you are looking to learn about a new media or to upgrade your skills and comfort level, consider these classes! Whether you are experienced or brand-new, these classes have something to offer you.

All the registration forms, with some information about the classes are here. To read more about each class, continue on.

Encaustic Painting and Collage Class

Mosaic Registration 2017

Ceramics Registration 2017

Advanced Fused Glass Registration 17

Independent Study in Ceramics: this one, of all, is geared the most towards teachers. Write a proposal explaining what it is you need to learn, why, and how you intend to learn it. Once it’s approved, spend 40 hours working on it over the summer. Attend two online meetings: one to introduce your project to the whole class; the other to talk about what you learned, and show pictures, if applicable. You will need access to a computer, google hangouts (for the meetings), and the supplies and equipment you need to complete your project. Register by June 10, and take your time over the summer to complete the class. This class has been approved for three PTSB or UW credits.

Encaustic Painting and Collage Class Interested in hot wax? This is your chance to learn basic and advanced techniques from an encaustic artist! Encaustic is defined as the application of color using hot wax or other hot media. In this class, we will paint with hot pigmented wax, collage and much more! There will be lots of time to create, and we will also discuss how this might be applied to a classroom setting. This class takes place in Cheyenne July 17-20. Credit has been applied for from PTSB and UW. If granted the class will be worth two credits. Sign up by July 7

Advanced Fused Glass: Open to anyone interested in glass fusing, this class assumes you have some glass knowledge. If you don’t, please talk to the teacher prior to signing up. This is a solid week of working on fused glass projects, and motivated attendees can complete a few smaller projects, or some really large ones. If you’ve taken it before, consider focusing on coldworking techniques in this class, instead of making new work. This class takes place at Riverton High School June 19-21. This class has been approved for three PTSB or UW graduate credits. Register by June 1 to ensure your place in the class. Due to the cost of materials, this class is non-refundable after June 1.

Mosaic: This whirlwind class will take you through the basics of mosaics, and you’ll leave with a hopefully completed project. The class will cover all the basic information and some history, and also provide tips and suggestions for teaching it at home. A fairly simple process that can use scraps and leftover pieces, mosaic is a good way to offer a new medium to schools. Participants should bring an object to mosaic to class if possible–a small stool, or small table, or pot–as the bases available will be generic. This class takes place at Riverton High School June 24-25. This class has been approved for one PTSB or UW credit.



Here, There, Everywhere…We’ve Been Around

We are currently featuring a watercolor show from the five artists of the Casper-based Scotch and Watercolor Society. Although they assure me that they prefer to drink wine, the paintings are full of light and color and done with skill and panache.

Skip Larcom chose winter landscapes close to home as his topic. His paintings depict the mystery of the landscape in winter, full of harsh shadows and stark color.

Hillside Shadows skip

“Hillside Shadows” by Skip Larcom, watercolor 28×36

Barbara Kuxhausen paints from her travels, both in and out of country. This painting is from a trip to Egypt spent exploring the antiquities. They took a cruise down the Nile and this boat was one she saw along the way.

Egyptian Watercraft kux

“Egyptian Watercraft” by Barbara Kuxhausen, watercolor 21×27

Barb Barella also travels and paints. This piece is from Ephesus, Turkey, suggesting the pieces of civilizations long gone and the thrill of archaeology.

Ephasus Barella

“Ephasus, Turkey” by Barb Barella, watercolor 21×27

Dave Sneesby paints subjects closer to home: deserted spaces and items left to become part of the landscape, as illustrated by this lovely little painting. It looks like it could be driven off, except for the brush and tires leaned up against it.

Brush Hog

“Brush Hog” by Dave Sneesby, watercolor 16×20

Michele McDonald loves to paint the beautiful places of the world, in this case Utah. She uses the paint softly to catch the myriad colors in the space.

Desert Arch at Sunset McDonald (1)

“Desert Arch at Sunset” by Michele McDonald, watercolor 23×31

This show will be up through May, 2017 and we’ll be open several times.

Rendezvous: A Juried Exhibit of Wyoming Artists


Call For Entries

Mystery Print Gallery in Pinedale and Clay Paper Scissors Gallery & Studio in Cheyenne invite Wyoming artists to rendezvous up and submit artwork for a juried exhibit which will be shown in two venues on opposite sides of the state. We hope that visual artists working across media and in all kinds of content, from western to political to contemporary and more will join us! As artists ourselves, we are excited to offer another venue for the public to appreciate the diversity of artwork being created in Wyoming. Both galleries show a wide range of artwork and welcome all Wyoming artists to apply. The show will be juried by gallery owners David Klarén, Camellia El-Antably and Mark Vinich.

The exhibit will run from June 8 through September 2, 2017 and will be split into two parts at the time of jurying. Half of the artwork will be on display in Pinedale and the other half in Cheyenne, with the two parts trading in mid-July. This gives people on both sides of the state a chance to see the artwork.


  • All artwork must be the original work of the artist.
  • Any visual media will be considered except video and animation (due to display requirements). Original digital artwork will be considered.
  • Artwork must be no larger than 18” x 18” framed. 3D artwork must be no larger than 18” in any dimension.
  • No printed canvases.
  • Artwork must be for sale.
  • Applications will be accepted through Submittable. There is a $25 application fee.
  • Artists may submit up to three works for consideration.
  • Artist must provide a return shipping costs.
  • Artists must be Wyoming residents.

Other Information:

  • All pieces must arrive ready for hanging or display. 2D work must use a wire for hanging—no sawtooth or other hanging systems.
  • Each gallery will host two receptions. Dates and times for those will be announced later. Artists are invited and encouraged to attend when possible.
  • Artists are asked to publicize the show through their usual systems. An email flyer will be made available to accepted artists for sharing.
  • If artwork sells during the show, the gallery from which it sells will retain a 40% commission.
  • Artwork will display in both locations and be delivered to the buyer (or returned to the artist) at the close of the exhibit.



March 15:         Call for Entries publicized, Submittable available for application

April 14:           Deadline to enter show using Submittable

May 12:            Artists will be notified by email of acceptance. At this time, you will also be notified which gallery your artwork will be displayed in first for shipping.

May 31:            Artwork must arrive at galleries. It may arrive via mail or be delivered.

June 8:              Exhibit opens

July 17:             during this week, the two shows will be taken down, switched and rehung

July 20:             Exhibit reopens

September 2:     Close. Artwork will be shipped back or may be picked up by artist

Click Here to Submit to Rendezvous: A Juried Exhibit of Wyoming Artists

Venues and Questions:

Mystery Print Gallery

221 S Sublette Ave, Pinedale, WY 82941

(307) 749-3473



Clay Paper Scissors Gallery & Studio

1513 Carey Ave, Cheyenne WY 82001

(307) 631-6039


Studio Show


March 2017 features Clay Paper Scissors studio artists Eric Lee, Mark Vinich and Camellia El-Antably. We rarely show our own work in this way, usually putting out pieces here and there. We’ve had lots of questions about our own work, so we thought this month would be a nice time to showcase some of it.

Eric Lee’s work is new, a continued exploration of collages. This body features materials made to look old and like wood collaged together. The pieces exude the serenity of vintage materials that have withstood the test of time.

Mark Vinich has a mix of older and new work. The collages have been shown before, but remain fresh to the eye. He also contributed multiple pieces of fused glass work, a new media which he has been exploring over the past few years. These pieces explode with color and imagery.

Camellia El-Antably is also showing a mix of old and new work. The drawings continue to draw in viewers to look closer at the patterns to discern meaning. Camellia has recently resumed making books, and this show includes two newer books, as well as a finished copy of an older book started while in London.

This show is up for one month only. We will be open at least one weekend, and possibly more during March.